blue, as long as you can see a clear difference in colors with the sky having some shade of blue. I love the softness and translucency of Black and White, infrared photography. As you can see from this developed 35mm Fujifilm Superia negative, it doesnt. Automated digital image processing is so inherently fundamental to dslr operating systems circa 14 that most people are not even aware that it happens. Change the Output Channel drop-down to Blue, and make the Blue slider 100 and the red slider. . However you may want to further process it to add more WOW and impact.
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Properly adjusting the white balance to something neutral shifts the red tint into more distinguished shades of blue and yellow (This tends to be the default color scheme of digital near-infrared photography). Same image after Auto Tone has been applied. You can also adjust the opacity of this gradient layer. . The photographer (in the least involved part of the photographic process) simply holds the camera still while the sun, brandishing a metaphorical paintbrush, makes an imprint of the scene into the film not really any different than a cat leaves paw prints in wet cement. Using these five processing techniques will get you off to a fine start, but these are only five of many ways you can process your digital infrared images in Photoshop. If you are familiar with layer masks, you may want to mask out any areas where the gradient might be too strong. Either way, it firmly cements this surreal slice of time as a scene in an alien world. Finally add a new adjustment layer for Black White Layer New Adjustment Layer Black White Now use the sliders to get the full range of Black and White tones, paying special attention to maintaining detail in the white highlights in the trees, while making sure that. But what if I want my sky to be blue?
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